Tuesday, October 25, 2011
Next up! (Change to list)
Wednesday, October 19, 2011
The all-time, ultimate top top 10 list.
Monday, October 17, 2011
I want to kick the Narwhal in the face
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Since Carrie’s sister had mentioned this was going to be a dry read I was very hesitant to even start it because I was like “Ohhhh this is gonna suck, can’t we just read something else?” But the minute I started reading it, I found it to be quite entertaining. Especially because my book has hilarious pictures in it, for instance the need to have this picture of a glow worm as if without the visual I wouldn’t be able to procure in my mind what a glow worm would be:
Love the detail (Bahahahaha!)
But on serious note, this novel has some amazing insights and quotes. The first I came upon on page 7 where it is stated “Either we do know all the varieties of being which people our planet, or we do not. If we do not know them all – if Nature has still secrets in ichthyology for nothing is more conformable to reason than to admit the existences of fishes, or cetaceans of other kinds, or even new species, of an organization formed to inhabit the strata sort, either fantastical or capricious, has brought at long intervals to the upper level of the ocean”
I relate to this statement so much because I still believe there is an unfathomable amount of species to be discovered in the depths of the ocean let alone in the world itself. To have someone of that time era have such insight that man does not know everything about how the world was evolving is so refreshing. It reminds me of the thought processes great scientists such as Darwin possessed at the time when not much was known about why things were the way they were. It gives me such satisfaction reading a novel based on fantasy of a narwhal with deep reflections embedded within it.
Moving forward, at first I didn’t know what to think of Conseil when he was introduced in chapter 3. He seemed like a background character that would fall out of the story. He had no depth to him until he rescued Aronnax and swam with him after the creature first struck the Abraham Lincoln. (Nice Comeback!) Ned Land’s name will forever remind me of Ned Flander’s on the Simpsons. For some reason when I envision him, I see a supped up Ned Flanders with ripped muscles and chest hair carrying a harpoon and spitting chew. It’s the strangest thing ever, I have even begun to read his name as Ned Flanders. Don’t ask me why I just do. But he’s obviously the bad ass of the story. He beats whales down like they are shrimp apparently from his description. Plus, he harpoons the shit out of the narwhal when they encroached upon it sleeping. Which while we are on the topic of the narwhal, why the fuck did it just start sleeping right in the path of pursuit after it had been swimming away from the Abraham Lincoln at like 19 – 30 mph for hours. It obviously has a tiny brain. I mean it could have slept at a lower depth or sank down and swam somewhere else then floated to the top to sleep out of sight of the boat. And secondly, why does it glow only at certain times? Does it have some sort of symbiotic relationship with the glow worms where if they glow when it wants it to and then it lets them sea gunk off it’s back? That scene was so weird to me when it stopped glowing then started glowing again but didn’t attack the ship. (Oh, and I'm not so sure the captain is the smartest man to bein charge of sailing a ship).
Anyway, those were my thought before reading the subsequent chapter only to find out that our stud Ned saves the distressed duo only to pull them up on top of the metal creature that appeared to be “human constuction”. Didn’t see that coming, I thought this was just going to be a good old Moby Dick fashioned novel. Man v. Beast. Which also answers my questions about why it was sleeping so close to the top because plain metal can’t sink that low in the ocean before the pressure caves it in. (But the question of those damn glow worms still lingers to me….) AND AND to top it off after Ned acts like a juvenile in a delirious state and bangs on the metallic thing and says “open up you inhospitable rascals”, there are men inside of it the whole time?? Is this the twilight zone?
Now I’m extremely tired, so here are some closing thoughts about the book. I absolutely see how it became a classic novel with the story line developing more now and with the immense vocab. Words such as obstinate, formidable, nyctalopes and imperturbable are not seen very much in some of the more modern books I’ve read lately – just makes me feel smart to know what ¾ words mean. (BTW nyctalopes means you can’t see very well in dim light). And I hate when they refer to hanging out in the “poop” I know it’s the “poop deck” or whatever where sea men hang out, but I can’t help imagine a stinky place where men go to brood. That might be ignorant and not very mature of me but, gross.
Next review will hopefully be on Thursday or Friday. Until the, Smooth Sailing Mateys!

And this pretty much sums up why people thought the narwhal was a "Sea Unicorn" to begin with... I mean just look at that face.
Tuesday, October 11, 2011
How about we make our OWN list??
Monday, October 10, 2011
THE OLD MAN AND THE SEA by Ernest Hemingway
CALL OF THE WILD by Jack London
OF MICE AND MEN by John Steinbeck
THE STRANGER by Albert Camus
A GOOD MAN IS HARD TO FIND by Flannery O’Connor
JESUS’ SON by Denis Johnson
FEAR IN LOATHING IN LAS VEGAS by Hunter S. Thompson
SLAUGHTERHOUSE FIVE by Kurt Vonnegut
TAPPING THE SOURCE by Kem Nunn
ALL THE PRETTY HORSES by Cormac McCarthy
DELIVERANCE by James Dickey
THIS SIDE OF PARADISE by F. Scott Fitzgerald
THE PICTURE OF DORIAN GRAY by Oscar Wilde
ON THE ROAD by Jack Kerouac
BRIGHT LIGHTS, BIG CITY by Jay McInerney
NETHERLAND by Joseph O’Neill
LESS THAN ZERO by Bret Easton Ellis
LOST HORIZON by James Hilton
THEIR EYES WERE WATCHING GOD by Zora Neale Thurston
HEART OF DARKNESS by Joseph Conrad
TO THE LIGHTHOUSE by Virginia Woolf
THE LOST STEPS by Alejo Carpentier
A CLOCKWORK ORANGE by Anthony Burgess
REMAINDER by Tom McCarthy
THE CONTORTIONIST’S HANDBOOK by Craig Clevenger
THE BIRD IS GONE: A MANIFESTO by Stephen Graham Jones
THE CASTLE by Franz Kafka
LOOK HOMEWARD, ANGEL by Thomas Wolfe
ANNA KARENINA by Leo Tolstoy
INVISIBLE MAN by Ralph Ellison
APPOINTMENT IN SAMARRA by John O’Hara
THE AGE OF INNOCENCE by Edith Wharton
ALL THE KING’S MEN by Robert Penn Warren
FICCIONES by Jorge Luis Borges
100 YEARS OF SOLITUDE by Gabriel GARCIA MARQUEZ
THE SOUND AND THE FURY by William Faulkner
SOMETIMES A GREAT NOTION by Ken Kesey
CATCH-22 by Joseph Heller
HOUSE OF LEAVES by Mark Z. Danielewski
DARKNESS VISIBLE by William Styron
BELOVED by Toni Morrison
MOBY-DICK by Herman Melville
PORTRAIT OF A LADY by Henry James
The King James Bible by God
WOODCUTTERS by Thomas Bernhard
THE OBSCENE BIRD OF NIGHT by Jose Donoso
UNDER THE VOLCANO by Malcolm Lowry
CEREMONY by Leslie Marmon Silko
THE RECOGNITIONS by William Gaddis
ULYSSES by James Joyce
IN SEARCH OF LOST TIME by Marcel Proust
Wednesday, October 5, 2011
I understand why they consider this a classic already. Do you?
Let me explain. "Twenty-Thousand Leagues Under The Sea" is written in such a uniquely unexperienced voice and style. This point, in and of itself, is one to be acknowledged, because in order to grow, learn, wisen, mature, etc, (all the goals that have led me to consider this feat of reading nearly 200 classics before I die, however long it takes me) one needs to explore various mindsets and strategies. The bottom line is, it pays to be open-minded. By opening oneself up to unlimited perspectives, one allows for a broader perception of the world, and what is intellect if it isn't a more expansive overall persception?
By way of example, plaese consider for a moment the manner in which Verne writes. This can be observed simply by scanning the book's pages and noticing that dates - more often (in today's writings) written as such: "On August 30th, 2001" - are communicated most concisely as: "On 13th April, 1867." I find this strategy clever and refreshing, nonetheless interesting. Thus, if you are anything like me and unaccustomed to this style, we have already discovered a new way of being and doing something as essential as documenting dates. I feel more intellectual already!
Furthermore, I find myself smiling at several stops along this book's journey and pausing briefly to reconsider concepts I might have otherwise overlooked. The narrator states he was "well up in the subject" he was asked to research - the possibility of a mysterious monster wrecking ships. The few paragraphs in which the narrator rewrites his response to inquiries on the subject is enlighteningly eloquent and insighful. He shares, "The great depths of the ocean are entirely unknown to us. Soundings cannot reach them. What beings live, or can live, twelve or fifteen miles beneath the surface of the waters we can scarcely guess."
I think of my sister and her new husband Omar when I read over this passage. One particularly important "Aha!" moment in my life came when my sister, supported by the insights of Omar, demanded it impossible for any one person, or even any number of people working together, to determine the world's purpose. From that point, we conceded that nothing can truly be asserted, not even the notions we were indulging in at the present, without even a moderate shadow of a doubt (if one were to allow the slightest humility, at least). This quote via Verne supports that gesture. Thus, this book is considered a classic, it would seem, because it is thick with universality. As an English major/minor, universality is taught over and over to be a goal of writers if they wish to be successful. If a piece of writing includes concepts that are universal - those that can be understood and applied to various experiences in everyone's life - it will be successful, because each person that reads it will recognize truths in the writing that can be applied to her own life. This passage gifted me with such. What passages have done so for you so far?
The last sentence I will praise is this: "...and not to give too much cause for laughter to the Americans, who laugh well when they do laugh." I just love this. What an assertion! Is it true that Americans "laugh well?" Is Verne suggesting that Americans are heavily indulgent, even in such simple matters as laughter? Whatever is being suggested, I appreciate Verne's subtle confession.
Oh! And...another neat thing: the version I am reading (1973 The Felix Gluck Press) has sorted the paragraphs into columns reflective of newspaper format - three thin, justified columns per page. When studying poetry, or marketing even, you are taught the power of intention.The style of voice Verne uses in "20,000..." is similar to the style used in reporting - factual, concise and with great sentence variety. Thus, Verne's clear acknowledgement of the power of intention is to be respected.
Alright, that is all I have for tonight. I felt inspired. I hope you, too, soon feel inspired by this mountain of reads.
Day 5 into 20,000 (Leagues...that is...)
Hopefully y'all are off to a better start than I.
But can I just say, however dry this book may turn out to be, how intriguing are the words "occasionally phosphorescent??"
Here's the Wiki definition of phosphorescence:
Phosphorescence is a specific type of photoluminescence related to fluorescence. Unlike fluorescence, a phosphorescent material does not immediately re-emit the radiation it absorbs. The slower time scales of the re-emission are associated with "forbidden" energy state transitions in quantum mechanics. As these transitions occur very slowly in certain materials, absorbed radiation may be re-emitted at a lower intensity for up to several hours after the original excitation.
Commonly seen examples of phosphorescent materials are the glow-in-the-dark toys, paint, and clock dials that glow for some time after being charged with a bright light such as in any normal reading or room light. Typically the glowing then slowly fades out within minutes (or up to a few hours) in a dark room.
Yeah...THAT was dry.
So basically this creature they describe within the first few paragraphs of 2LUTS sometimes looks as though it could be radioactive?
What's your take on this unique beast of sorts?
Apparently, "it must be a narwhal," or... one of these:
Kinda cool, kinda frightening. Let's read on.
Tuesday, October 4, 2011
OBSCURE REFERENCE!
Listen to this! (Click on the thingy above.) I was listening to Pandora today at work, and this song came on my "Band of Horses" radio station (which is one of THE best radio stations by the way hint hint). Here I am listening listening working working blah blah blah and then suddenly - 20,000 LEAGUES UNDER THE SEA! Not really, but listen for the reference. It's the chorus, so if you miss it you are having a very "slow" day and should probably just go back to bed before you hurt someone.
MY POINT IS THIS: Have you started reading yet?
I am not being patronizing or motherly or higher-than-thou, as I have yet to begin reading the book myself, quite honestly. But apparently Captain Nemo... or Pandora... or someone out there wants me to read the thing because it threw me this little reminder via hip tune-age.
So let's get to reading mateys ;)
Saturday, October 1, 2011
Month 1: 20,000 Leagues Under the Sea
We have decided to start with 20,000 Leagues Under the Sea by Jules Verne.
The book contains two sections: Book 1 and Book 2. I suggest we read at our own paces throughout the month but only discuss the first book within the first two weeks, the second book during the second part of October.
Breaking it up, we would discuss the first half of pages in Book 1 the first week, and so forth.
Now, onto the book!
Wednesday, September 28, 2011
We're getting closer!
Thursday, September 15, 2011
When to start??
After deciding when to start, we need to also decide what to read. As you can see, we have all already chipped away at the list on our own over the years before we even knew it was a list. Some have read books while others have not. That will make it difficult to read together. Anyone have ideas on how we could do it? We also need to decide in what time frame we should read each book. You ideas will be greatly appreciated.
Finally, I think the best way for us the "read together" is for each of us to comment on this blog periodically to share our thoughts, insights, etc. I will create an initial post describing the book we are currently reading, and from there, we can begin a discussion chain of comments on the book.
Please share your ideas via comments on this post. Thanks, friends! Can't wait to get started!
Tuesday, September 13, 2011
Before I begin the monster list...


Wednesday, August 24, 2011
A Mountain of Must-Reads
- 1984 (1982) by George Orwell
- 20,000 Leagues Under the Sea (1869) by Jules Verne
- Absalom, Absalom! (1936) by William Faulkner
- The Adventures of Augie March (1953) by Saul Bellow
- Alexander of Macedon (1991) by Harold Lamb
- All the King's Men (1946) by Robert Penn Warren
- American Pastoral (1997) by Philip Roth
- An American Tragedy (1925) by Theodore Dreiser
- Ancient Inventions (1995) by Peter James and Nick Thorpe
- Animal Farm (1946) by George Orwell
- Appointment in Samarra (1934) by John O'Hara
- Are You There God? It's Me, Margaret (1970) by Judy Blume
- The Art of War (1910) by Sun Tzu
- The Assistant (1957) by Bernard Malamud
- At Swim-Two-Birds (1938) by Flann O'Brien
- Atlas Shrugged (1957) by Ayn Rand
- Atonement (2002) by Ian McEwan
- Band of Brothers (1992) by Stephen Ambrose
- Battle Royale (1999) by Koushun Takami
- Beloved (1987) by Toni Morrison
- The Berlin Stories (1946) by Christopher Isherwood
- The Big Sleep (1939) by Raymond Chandler
- The Blind Assassin (2000) by Margaret Atwood
- Blood Meridian (1986) by Cormac McCarthy
- Blubber (1974) by Judy Blume
- Brave New World (1965) by Aldous Huxley
- Brideshead Revisited (1946) by Evelyn Waugh
- The Bridge of San Luis Rey (1927) by Thornton Wilder
- Call It Sleep (1935) by Henry Roth
- The Call of the Wild (1903) by Jack London
- The Canterbury Tales (1470) by Geoffrey Chaucer
- Catch-22 (1961) by Joseph Heller
- The Catcher in the Rye (1951) by J.D. Salinger
- Charlotte's Web (1952) by E.B. White
- A Clockwork Orange (1963) by Anthony Burgess
- The Color Purple (1982) by Alice Walker
- The Complete Plays of Aristophanes (1984) by Aristophanes
- The Complete Shakespeare (1623) by William Shakespeare
- The Complete Sherlock Holmes (1986) by Sir Arthur Conan Doyle
- The Confessions of Nat Turner (1967) by William Styron
- A Connecticut Yankee in King Arthur's Court (1889) by Mark Twain
- Contact (1985) by Carl Sagan
- Cop Hater (1956) by Ed McBain
- The Corrections (2001) by Jonathon Franzen
- Crime and Punishment (1866) by Fyodor Dostoevsky
- The Crying of Lot 49 (1966) by Thomas Pynchon
- A Dance to the Music of Time (1951) by Anthony Powell
- The Dark Knight Returns (1986) by Frank Miller
- The Day of the Locust (1939) by Nathanael West
- Death Comes for the Archbishop (1927) by Willa Cather
- A Death in the Family (1958) by James Agee
- The Death of the Heart (1958) by Elizabeth Bowen
- Deliverance (1970) by James Dickey
- The Divine Comedy (1867) by Dante
- Dog Soldiers (1874) by Robert Stone
- Don Quixote (1989) by Miguel De Cervantes
- Dracula (1897) by Bram Stoker
- Education of the Wandering Man (1989) by Louis L'Amour
- Eaters of the Dead (1976) by Michael Crichton
- The Executioner's Song (1977) by Norman Mailer
- Exodus (1958) by Leon Uris
- Falconer (1977) by John Cheever
- Fight Club (1996) by Chuck Palahniuk
- For Whom the Bell Tolls (1940) by Ernest Hemingway
- Foucault's Pendulum (1988) by Umberto Eco
- Foundation (1951) by Isaac Asimov
- Frankenstein (1818) by Mary Shelley
- The French Lieutenant's Woman (1969) by John Fowles
- A Game of Thrones (1996) by George R.R. Martin
- The Golden Notebook (1962) by Doris Lessing
- Go Tell it on the Mountain (1953) by James Baldwin
- Gone With the Wind (1936) by Margaret Mitchell
- The Grapes of Wrath (1939) by John Steinbeck
- Gravity's Rainbow (1973) by Thomas Pynchon
- The Great Gatsby (1925) by F. Scott Fitzgerald
- Grendel (1971) by John Gardner
- A Handful of Dust (1934) by Evelyn Waugh
- The Heart is a Lonely Hunter (1940) by Carson McCullers
- Heart of Darkness (1899) by Joseph Conrad
- The Heart of the Matter (1948) by Graham Greene
- Herzog (1964) by Saul Bellow
- The Hobbit (1937) by J.R.R. Tolkien
- Hour of the Dragon (1935) by Robert E. Howard
- Housekeeping (1981) by Marilynne Robinson
- A House for Mr. Biswas (1962) by V.S. Naipaul
- I Am Legend (1954) by Richard Matheson
- I, Claudius (1934) by Robert Graves
- The Illiad (1488) by Homer
- In Cold Blood (1966) by Truman Capote
- Infinite Jest (1996) by David Foster Wallace
- Invisible Man (1952) by Ralph Ellison
- Lady Chatterley's Lover (1928) by D.H. Lawrence
- Les Miserables (1862) by Victor Hugo
- Light in August (1932) by William Faulkner
- The Lion, The Witch and the Wardrobe (1950) by C.S. Lewis
- The Little Prince (1943) by Antoine De Saint-Exupery
- Lolita (1955) by Vladimir Nabokov
- The Long Goodbye (1953) by Raymond Chandler
- Lord of the Flies (1955) by William Golding
- The Lord of the Rings (1954) by J.R.R. Tolkien
- Loving (1945) by Henry Green
- Lucky Jim (1954) by Kingsley Amis
- The Magus (1966) by John Fowles
- The Maltese Falcon (1930) by Dashiell Hammett
- The Man Who Loved Children (1940) by Christina Stead
- McTeague (1899) by Frank Norris
- Middlemarch (1871) by George Eliot
- Midnight's Children (1981) by Salman Rushdie
- Moby Dick (1851) by Herman Melville
- Money (1984) by Martin Amis
- The Moviegoer (1961) by Walker Percy
- Mrs. Dalloway (1925) by Virginia Woolf
- Naked Lunch (1959) by William Burroughs
- Native Son (1940) by Richard Wright
- Neuromancer (1984) by William Gibson
- Never Let Me Go (2005) by Kazuo Ishiguro
- Night (1982) by Eli Wiesel
- No Exit (1943) by Jean Paul Sartre
- Of Mice and Men (1937) by John Steinbeck
- On the Road (1957) by Jack Kerouac
- One Flew Over the Cuckoo's Nest (1962) by Ken Kesey
- One Hundred Years of Solitude (1967) by Gabriel Garcia Marquez
- The Painted Bird (1965) by Jerzy Kosinski
- Pale Fire (1962) by Vladimir Nabokov
- Paradise Lost (1667) by John Milton
- A Passage to India (1924) by E.M. Forster
- The Picture of Dorian Gray (1890) by Oscar Wilde
- The Pillars of the Earth (1989) by Ken Follett
- Play It As It Lays (1970) by Joan Didion
- Portnoy's Complaint (1969) by Philip Roth
- Possession (1990) by A.S. Byatt
- The Power and the Glory (1939) by Graham Greene
- Pride and Prejudice (1813) by Jane Austen
- The Prime of Miss Jean Brodie (1961) by Muriel Spark
- The Prince (1640) by Niccolo Machiavelli
- The Princess Bride (1973) by William Goldman
- Rabbit, Run (1960) by John Updike
- Ragtime (1975) by E.L. Doctorow
- The Recognitions (1955) by William Gaddis
- Red Harvest (1929) by Dashiell Hammett
- Revolutionary Road (1961) by Richard Yates
- The Road Less Traveled (1916) by Dr. Scott M. Peck
- Robinson Crusoe (1719) by Daniel Defoe
- Rosemary's Baby (1967) by Ira Levin
- The Scarlet Letter (1850) by Nathaniel Hawthorne
- The Science of God (1998) by Gerald L. Schroeder
- Season of Mists (1992) by Neil Gaiman
- The Sheltering Sky (1949) by Paul Bowles
- Shogun (1954) by James Clavell
- Slaughterhouse Five (1969) by Kurt Vonnegut
- Snow Crash (1992) by Neal Stephenson
- Something Wicked This Way Comes (1962) by Ray Bradbury
- The Sot-Weed Factor (1960) by Richard Ford
- The Spy Who Came in From the Cold (1964) by John le Carre
- The Stand (1978) by Stephen King
- Starship Troopers (1959) by Robert A. Heinlein
- The Stranger (1989) by Albert Camus
- The Sun Also Rises (1926) by Ernest Hemingway
- A Tale of Two Cities (1859) by Charles Dickens
- The Telltale Heart and Other Writings (1843)by Edgar Allan Poe
- Their Eyes Were Watching God (1937) by Zora Neale Hurston
- Things Fall Apart (1959) by Chinua Achebe
- The Three Musketeers (1844) by Alexandre Dumas
- Titus Groan (1946) by Mervyn Peake
- To Kill A Mockingbird (1960) by Harper Lee
- To the Lighthouse (1927) by Virginia Woolf
- Treasure Island (1883) by Robert Louis Stevenson
- The Trial (1925) by Franz Kafka
- Tropic of Cancer (1934) by Henry Miller
- Ubik (1969) by Philip K. Dick
- Ulysses (1922) by James Joyce
- Under the Net (1954) by Iris Murdoch
- Under the Volcano (1947) by Malcolm Lowry
- War and Peace (1865) by Leo Tolstoy
- War of the Worlds (1897) by H.G. Wells
- Watchmen (1986) by Alan Moore & Dave Gibbons
- Watership Down (1972) by Richard Adams
- We Have Always Lived in a Castle (2006) by Shirley Jackson
- White Noise (1985) by Don DeLillo
- White Teeth (2000) by Zadie Smith
- Wide Sargasso Sea (1966) by Jean Rhys
- The Wind in the Willows (1908) by Kenneth Grahame
- The Wonderful Wizard of Oz (1897) by Frank Baum
- World War Z (2006) by Max Brooks
- Wuthering Heights (1847) by Emily Bronte
- You Can't Go Home Again (1940) by Thomas Wolfe
- Berlin: City of Stones (2000) by Jason Lutes
- Blankets (2003) by Craig Thompson
- Bone (2004) by Jeff Smith
- The Boulevard of Broken Dreams (2002) by Kim Deitch
- The Dark Knight Returns (1986) by Frank Miller
- David Boring (2000) by Daniel Clowes
- Ed The Happy Clown (1989) by Chester Brown
- Jimmy Corrigan: The Smartest Kid on Earth (2000) by Chris Ware
- Palomar: The Heartbreak Soup Stories (2003) by Gilbert Hernandez
***Tara has read
Tuesday, August 23, 2011
100+ Books to Read Before We Die
I should explain that the idea for such a list came when I was amidst compiling my personal
"Bucket List" or list of things to do before I die. I realized there are several books still sitting patiently inside my current "To Read" queue and that, furthermore, there were maybe one million more I would love to make acquaintance with. If you are like me, hopefully you, too, will take something away from this group - a group dedicated to gradually but consistently chipping away at the evermore ominous mountain of must-reads.